• Retro graphic
• Collectible graphic
• Film graphic

Original art

“In 1992 I was commissioned to make work by the Neue galerie in Graz, Austria and the theme was war or “krieg” as it is in German. Graz is on the border with Yugoslavia and there was war in Yugoslavia at the time https://voltagebets.net/. I think they were hoping that I would make something to do with the war that was taking place between Croatia and Serbia and Bosnia. I did go to the war; you went to Zagreb and got a UN pass and went in to the war zone. It was very interesting to be taken into the war zone but ultimately I got back to England and I decided – to the annoyance of the gallery – that I was thinking about Austria instead. At the time, the president of Austria, Kurt Waldheim, had been exposed as a member of the SS and had been informing Yugoslavia during the war and the Austrians were very unconcerned about this. I thought I’d much prefer to make work that had the Austrians confronting their Nazi past rather than about the current conflict. I knew about the prison in Barry Island in South Wales where the SS were held before they were sent to Nuremberg for the trial and I started taking a series of photographs in the prison. It was lucky that I did because it was demolished the following year by the MOD. It’s gone now. When I got there, I saw the prisoners had been drawing on the walls. They’re mossy and crumbling but you can see Germanic lettering and Bavarian landscapes and women with 1940s haircuts. They are evocative and powerful given the emotive history. ”

Researching her series, Dewe Mathews worked closely with academics to locate the forgotten places along the western front where these unfortunate combatants had been shot. She then travelled to each spot and set up her camera there at dawn, recording whatever could be seen a century after the executions had taken place.

Conflict, Time, Photography brings together photographers who have looked back at moments of conflict, from the seconds after a bomb is detonated to 100 years after a war has ended. Staged to coincide with the centenary of the First World War, this major group exhibition offers an alternative to familiar notions of war reportage and photojournalism, instead focusing on the passing of time and the unique ways that artists have used the camera to reflect on past events.

Chloe Dewe Mathews (British, b. 1982) Six Farm, Loker, West-Vlaanderen 2013 Private Joseph Byers Private Andrew Evans Time unknown / 6.2.1915 Private George E. Collins 07:30 / 15.2.1915 © Chloe Dewe Mathews

Retro graphic

When using lines as separate elements in your design, you can incorporate them both parallel to the basic shapes within your logo, and perpendicular to the shapes (cutting across them) to help text and other elements stand out.

If you’re a 60s, 70s or 80s child at heart, you’ll be happy to know that retro design is alive and well! Since making a comeback in 2019, the retro graphic design trend has dominated the design space, popping up everywhere from industrial, interior and graphic design to social media and pop culture.

An era that brought us hair metal, synth-pop, hip-hop beats, and lovelorn ballads, there’s no question that the 80s were an incredibly diverse time for music. Gracing us with the likes of The Cure, Whitney Houston, David Bowie, Michael Jackson, and ACDC, the 80s decade was a big turning point for the development of digital music.

When using lines as separate elements in your design, you can incorporate them both parallel to the basic shapes within your logo, and perpendicular to the shapes (cutting across them) to help text and other elements stand out.

If you’re a 60s, 70s or 80s child at heart, you’ll be happy to know that retro design is alive and well! Since making a comeback in 2019, the retro graphic design trend has dominated the design space, popping up everywhere from industrial, interior and graphic design to social media and pop culture.

An era that brought us hair metal, synth-pop, hip-hop beats, and lovelorn ballads, there’s no question that the 80s were an incredibly diverse time for music. Gracing us with the likes of The Cure, Whitney Houston, David Bowie, Michael Jackson, and ACDC, the 80s decade was a big turning point for the development of digital music.

Collectible graphic

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Film advertisement posters are widely admired for their bold lettering and large format, with many film-goers collecting them as relics of cinematic history. Join us as we take a closer look at some of the world’s best-loved blockbusters that feature in our Rare Cinema Collection.

Sneaker culture is now fully embedded in the collectible world, with certain Air Jordans, Yeezys, and designer collabs reaching six-figure resale prices. Collectors are looking for limited releases, exclusive collaborations, and unworn, boxed pairs.

Film graphic

„A sensibility for detail is key,” Mina says. „Some people set their own projects and put them in their portfolio. For example, I’ve seen applicants recreate their family history using false letters between family members, where they’ve gone and researched all the right ink and stamps etc. It’s about having a curiosity for the ephemera.

Graphic designers have to carry out extensive research to create set pieces that are accurate to the time period the film is set in. They are also in charge of all the graphic elements that are outlined in the script.

„To be a member, you have to have two film credits, which makes it a little difficult for newbies to get access,” Mina says. „However, if you’ve just graduated and you’re interested, you can request to add a post, which will go all the members.

In recent years, the role of graphic design in film has become more established, with more and more directors recognising the importance visual artists play in bringing their visions to life. That said, graphic design in film still remains, for some reason, an underrated and unpopular career path. But why is that? Is it too competitive? Too reliant on connections? Impossible to find a way in?

Like Martin T. Charles alluded to in his final thoughts, graphic designers do sometimes get it wrong, and it does show. One of Annie Atkins’ classic stories was shared during a lecture at the 2017 AIGI Design Conference. It’s from the production of The Grand Budapest Hotel and involves one of the film’s most iconic props.